Tag Archives: hexatonic scale
Triad Pairs Round 7
Okay, so the term “triad” might not be totally correct today. Yes, we’ll be covering triads in the sense that we’re talking about groups of 3 notes, but these aren’t triads in the typical sense of major, minor, diminished, or … Continue reading
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Tagged advanced music theory, guitar, guitar lesson, guitarist, hexatonic scale, improvisation, jazz guitar, modern jazz, modern music, music lesson, musicianship, Triad Pairs, Triads
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Triad Pairs Round 4
So far we’ve explored triad pairs from the major, harmonic minor, and melodic minor scales. Today we’ll continue with the diminished scale. First, let’s talk briefly about what the diminished scale is and how it functions. The diminished scale is … Continue reading
Triad Pairs Round 2
I know, I know… I’m a day late on this post. Sorry folks! Cut me a break will ya?! All right, here goes… Last Friday we covered triad pairs and how we can use them to create and harmonize hexatonic … Continue reading
Triad Pairs/Hexatonic Scales Introduction
Triad Pairs are a common tool amongst both modern jazz players and composers of the early 20th century. The idea is self-explanatory. Put simply they are two triads paired together that do not share a common tone. For example check out these … Continue reading
Posted in Triad Pairs
Tagged advanced music theory, chord melody, Chords, church modes, composition, guitar, guitar chords, guitar lesson, guitarist, harmonic concepts, Harmony, hexatonic scale, improvisation, major scale, modern jazz, modern music, music composition, music theory, solo guitar, triad, Triad Pairs, Triads
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